Bad conscience, cruelty and "reverse narcissism" in contemporary Brazilian cinema

Artigos

Published 2004-10-30

Fernão Pessoa Ramos⁺⁻

Fernão Pessoa Ramos

PDF (Portuguese)

Keywords

Brazilian cinema
Narcisism
State

Métricas

How to Cite

RAMOS, Fernão Pessoa. Bad conscience, cruelty and "reverse narcissism" in contemporary Brazilian cinema. Crítica Marxista, Campinas, SP, v. 11, n. 19, p. 104–113, 2004. DOI: 10.53000/cma.v11i19.19579. Disponível em: https://econtents.sbu.unicamp.br/inpec/index.php/cma/article/view/19579. Acesso em: 25 jan. 2026.

Abstract

The class fracture of Brazilian society is recurrently present in our cinema. It is expressed in what we can call “representation of the popular”. After the interval of the 80s (when the most creative national production established a closed dialogue with genre cinema) the classic motifs of popular representation (the favela, the backlands, carnival, Candomblé, football, northeastern folklore).

PDF (Portuguese)

References

RAMOS, Fernão Pessoa. Má-consciência, crueldade e “narcisismo às avessas” no cinema brasileiro contemporâneo. Crítica Marxista, São Paulo, Ed. Revan, v.1, n.19, 2004, p.104-113.

This work is licensed under a Creative Commons Attribution 4.0 International License.

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