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Stone as memory: materiality, identity and photographic poetics
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Keywords

Materiality
Photography
Symbolic interpretation
Collective memory
Urban identity

Métricas

How to Cite

PALLEIRO SÁNCHEZ, Pedro. Stone as memory: materiality, identity and photographic poetics. Revista Visuais, Campinas, SP, v. 12, n. 00, p. 20–41, 2026. DOI: 10.20396/visuais.v12i00.21187. Disponível em: https://econtents.sbu.unicamp.br/inpec/index.php/visuais/article/view/21187. Acesso em: 20 jul. 2026.

Abstract

Through photographic analysis, stone, as a constitutive element of the historic city of Toledo (Spain), ceases to be perceived as a static component and is instead revealed as an active medium of memory and a means of understanding urban identity and the contemporary processes involved in the symbolic construction of heritage. Drawing on a visually based methodology with an ethnographic orientation, this research proposes a hierarchical and complementary reading of the built environment, transferable to the study of other heritage contexts. Photography is thus conceived as a methodological and hermeneutic tool capable of mediating between materiality and the gaze, between the object and its interpretation.

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