Keywords
Tatilidade
Pós-cinema
Globalização
Pós-cinema
Globalização
How to Cite
FIGUEIREDO, Ruy Cézar Campos. Visualidade háptica no cinema de museu. Encontro de História da Arte, Campinas, SP, n. 14, p. 518–523, 2019. DOI: 10.20396/eha.vi14.3352. Disponível em: https://econtents.sbu.unicamp.br/eventos/index.php/eha/article/view/3352. Acesso em: 21 oct. 2025.
Abstract
Comunicação apresentada no XIV Encontro de História da Arte, em 2019.
References
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STEMMRICH, G.. White Cube, Black Box and Grey Areas: Venues and values. Gregor Stemmrich. in: Art and The Moving Image. A critical Reader. Ed. Tanya Leighton. Tate Publishing. Pp430-445. 2008.
UROSKIE, Andrew. Between the Black Box and the White Cube: Expanded Cinema and Postwar Art. Chicago and London: University of Chicago Press. 2014
VERHEUL, T.. Between Screens, Between Identities. Multi-Screen Installations and Interculturality. 2011. Master Media Studies. Amsterdam, University of Amsterdam. 2011
WEIBEL, Peter. Narrated Theory: Multiple Projection and Multiple Narration. In: New Screen Media. Cinema/Art/Narrative. Andrea Zapp and Martin Rieser (eds). SFI Publishing. London, 2002
CHUBB, E.. Small Boats, Slave Ship; or, Isaac Julien and The Beauty of Implied Catastrophe. Art Journal Open. 2016. Disponível em: [http://artjournal.collegeart.org/?p=7197]. Acessado em 03 de julho de 2017.
CONNOLLY, Meave. The Place of Artists Cinema: Space, Site and Screen. Chicago: University of Chicago Press. 2009.
DUBOIS, Philipe. “Um "efeito cinema" na arte contemporânea”. in: Dispositivos de registro na arte contemporânea.
Org. Luiz Cláudio da Costa. Rio de Janeiro: Contra Capa Livraria / FAPERJ. 2009.
MARKS, Laura U. The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses. Durham and London: Duke University Press, 2000
MASSEY, Doreen. For Space. Londres: Sage. 2005.
NAFICY, Hafid. An Accented Cinema: Exilic and Diasporic Filmmaking. Princeton: Princeton University Press. 2001.
STEMMRICH, G.. White Cube, Black Box and Grey Areas: Venues and values. Gregor Stemmrich. in: Art and The Moving Image. A critical Reader. Ed. Tanya Leighton. Tate Publishing. Pp430-445. 2008.
UROSKIE, Andrew. Between the Black Box and the White Cube: Expanded Cinema and Postwar Art. Chicago and London: University of Chicago Press. 2014
VERHEUL, T.. Between Screens, Between Identities. Multi-Screen Installations and Interculturality. 2011. Master Media Studies. Amsterdam, University of Amsterdam. 2011
WEIBEL, Peter. Narrated Theory: Multiple Projection and Multiple Narration. In: New Screen Media. Cinema/Art/Narrative. Andrea Zapp and Martin Rieser (eds). SFI Publishing. London, 2002
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