Abstract
This essay investigates the ways in which a past event, or a performative moment, in the author's terms, can be reframed or reimagined from a documentary and archival approach. Taking as a starting point a site-specific performance lab, developed during an artist's residency on the small island of Paquetá, in Rio de Janeiro, this essay offers, on the one hand, a perspective that arises through the performative and somatic encounter with a specific territory and community. On the other hand, it offers a methodology for how to use documentation as an artistic research tool, both in the production of documentary material and in the composition of an artistic work. In this process, such methodology serves not only as a basis for the production of a series of images that evoke some of the forgotten legends or idyllic landscapes of Paquetá (e.g., the cemetery of birds), but also for the emergence of a singular bodily posture or, in other words, a performative moment around which both a documentary and fictional narrative was woven.
References
ALICE, Tania. 2016. Performance como Revolução dos Afetos. São Paulo: Anna Blume
ARLANDER, Annette. 2012. Performing Landscape – Notes on Site-specific Work and Artistic Research (Texts 2001-2011). Theater Academy Helsinki. Performing Arts Research Centre
AUSLANDER, Philip. 2006. The Performativity of Performance Documentation. PAJ: A Journal of Performance and Art, Vol. 28, No. 3. pp. 1-10. The MIT Press
GABRYS, Jennifer & PRITCHARD, Helen. 2018. Sensing Practices, in: The Posthuman Glossary edited by Braidotti, Rosi & Hlavajova, Maria. London/New York: Bloomsbury academic
GIBSON-VARGAS, Maria, WOLFAARD, Sarena & ROBERTS, Emma. 2017. The 5Rhythms® Movement Practice: Journey to Wellbeing, Empowerment, and Transformation, in: The Oxford Handbook of Dance and Wellbeing edited by Karkou, Vicky, Oliver, Sue & Lycouris, Sophia. Oxford University Press
HEISE, U. K. 2010. Lost Dogs, Last Birds, and Listed Species: Cultures of Extinction. Configurations. Volume 18 (1-2)., pp. 49-72. Johns Hopkins University Press
JOHNSON, Mark. 2007. The Meaning of the Body: Aesthetics of Human Understanding. Chicago & London: The University of Chicago Press
LIMOEIRO CARDOSO, Marcelo Augusto. 1975. Lendas de Paquetá. Rio de Janeiro: Gráfica Brasileira
REASON, Matthew. 2003. Archive or Memory? The Detritus of Live Performance. New Theatre Quarterly 19.1: 82-89.
SCHNEIDER, Rebecca. 2011. Performing Remains: art and war in times of theatrical reenactment. London: Routledge
SPATZ, Ben. 2020. Making A Laboratory: Dynamic Configurations with Transversal Video. Advanced Methods, Punctum books. Open access
SANTONE, Jessica. 2008. Marina Abramović’s Seven Easy Pieces: Critical Documentation Strategies for Preserving Art’s History. Leonardo, Volume 41, Number 2. pp. 147-152. The MIT Press

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Copyright (c) 2023 Revista Visuais
