Palabras clave
Psicoanálisis
impulso creativo
memoria
Melanie Klein
Métricas
Cómo citar
Resumen
Este artículo busca explorar la noción de secundarización del contenido, señalando las limitaciones del enfoque psicoanalítico de la estética desarrollado por Sigmund Freud, al momento de analizar y comprender el impulso creativo del artista. En este contexto, se reconoce en el enfoque kleiniano la capacidad de explorar este territorio, relacionando los aspectos formales que lo definen con el elemento de la memoria como herramienta práctica y teórica. De este modo, se establece un puente entre ambos territorios, permitiendo una exploración centrada en la comprensión de los motivos detrás del impulso creativo e independiente de las especificidades del contenido resultante.
Referencias
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