Signs of a still writing

Abstract

In this text that introduces her work, Le Corps-caméra: le performer et son image, Sophie Delpeux wonders what the place performance images occupy in the context of the body arts. In this sense, the author leads us on a reflective path that makes us see in these period documents, not a substitute for performance, but another legitimate instance of experience. For this dossier, Delpeux added some initial lines to give us an account of the current state of his research.