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Vol. 2 No. 2 (2014)

Editorial

4-6
Editorial
PDF (Portuguese)
DOI: https://doi.org/10.20396/muspop.v2i2.12937

Artigos

Manoel Dourado Bastos
7-36
I have little to say beyond what is contained in these sambas”: the brazilian subject and the suspension of the “promesse du bonheur” in some songs from Chico Buarque’s first LP
PDF (Portuguese)
DOI: https://doi.org/10.20396/muspop.v2i2.12938
Rodrigo Aparecido Vicente
37-66
“Gente humilde”: a theme, two songs
PDF (Portuguese)
DOI: https://doi.org/10.20396/muspop.v2i2.12939
Gabriela Strozenberg Longman
67-81
Beatriz” or The skyscraper lyricism
PDF (Portuguese)
DOI: https://doi.org/10.20396/muspop.v2i2.12940
Daniela Vieira dos Santos
82-109
“Pedro Pedreiro”, “Bye Bye Brasil”, “Pelas Tabelas”: towards the collapse of historical time
PDF (Portuguese)
DOI: https://doi.org/10.20396/muspop.v2i2.12941
Walter Garcia
110-150
Notes on “Cálice” (2010, 1973, 1978, 2011)
PDF (Portuguese)
DOI: https://doi.org/10.20396/muspop.v2i2.12942
Raquel Mendonça Martins
151-175
A reflection based on the rap “Vida Loka II”, by Racionais MC’s: valuing young black people by the signs of economic power
PDF (Portuguese)
DOI: https://doi.org/10.20396/muspop.v2i2.12943

Resenhas

Mateus Berger Kuschick
191-197
Intonations, by Marissa J. Moorman
PDF (Portuguese)
DOI: https://doi.org/10.20396/muspop.v2i2.12945

Entrevistas

Anaja Souza Santos
176-190
Interview with Hermelino Neder
PDF (Portuguese)
DOI: https://doi.org/10.20396/muspop.v2i2.12944