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On the street, the meaning of the celebration: sacred carpets, perishable sawdust in color
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Keywords

Street
Celebration

Métricas

How to Cite

MOREIRA, Frederico Luiz. On the street, the meaning of the celebration: sacred carpets, perishable sawdust in color. PROA: Revista de Antropologia e Arte, Campinas, SP, v. 9, n. 1, p. 197–211, 2019. DOI: 10.20396/proa.v9i1.17332. Disponível em: https://econtents.sbu.unicamp.br/inpec/index.php/proa/article/view/17332. Acesso em: 26 jan. 2026.

Abstract

The practice of decorating the streets to receive the manifest sacred goes back to the use of offerings to the divine and the representation of social drama. The ancient carpets were popular decorations, carried out as an expressive means of religious beliefs in Europe. In medieval periods such practice contextualized direct relations between gift and retribution, establishing influences on the use of agricultural calendars for the maintenance and practice of these traditions. This object (rug) shows specificities of the society that built it. It paves the way to the sacred, however, in a way constituted by an ephemeral, fleeting medium. It exquisitely portrays the community's understanding of the rite, and, in turn, of the feast. From anthropological field experiences we observed the making of the sawdust carpets that decorate the procession route on the feast of Corpus Christi in Sabará/MG.

PDF (Portuguese)

References

DUVIGNAUD, Jean. El Sacrifício inútil. México: Fondo de Cultura Econômica, 1997.

MAUSS, Marcel. Ensaio sobre a Dádiva. Forma e razão da troca nas sociedades arcaicas (1923-24). In: Sociologia e antropologia. São Paulo: Editora Universidade de São Paulo, 1974.

PEREZ, Léa Freitas. Festa, religião e cidade: corpo e alma do Brasil. Porto Alegre: Medianiz, 2011.

SANTOS, Beatriz Catão Cruz. O Corpo de Deus na América; a procissão de Corpus Christi nas cidades da América portuguesa – século XVIII. São Paulo: Annablume, 2005.

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This work is licensed under a Creative Commons Attribution 4.0 International License.

Copyright (c) 2019 Frederico Luiz Moreira

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