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Ophelia’s choice: Visual representations of the lady in the water in 19th Century
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Keywords

Art and Literature
Romanticism
Preraphaelism
Victorian Art
Sexism in Art

How to Cite

MIYOSHI, Alex. Ophelia’s choice: Visual representations of the lady in the water in 19th Century. Revista de História da Arte e da Cultura, Campinas, SP, n. 13, p. 79–92, 2021. Disponível em: https://econtents.sbu.unicamp.br/inpec/index.php/rhac/article/view/15385. Acesso em: 24 jan. 2026.

Abstract

The madness and drowning of Ophelia have fascinated the 19th Century. The large range of visual representations to the Hamlet episode has many reasons, amidst them its ambiguity also derivated from the Queen Gertrude’s description, a not theatrical one, and so even more suggestive. In this article the prints, drawings, paintings, and sculptures will be measured up to Shakespeare’s text. The issues on purity, sensuality, accidental or voluntary death will be considered as well as the adaptation of a tragicromantic theme to the rule of artistic forms.

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References

BOASE, S. R. “Illustrations of Shakespeare’s Plays in the Seventeenth and Eighteenth Centuries”. Journal of the Warburg and Courtauld Institutes, Vol. 10, 1947.

DIJKSTRA, Bram. “Chapter II: The Cult of Invalidism; Ophelia and Folly; Dead Ladies and the Fetish of Sleep” in Idols of Perversity, Fantasies of Feminine Evil in Fin-de-Siècle. Nova Iorque: Oxford University, 1986.

ERFFA, Helmut von. STALEY, Staley. The Paintings of Benjamin West. New Haven: Yale University Press, 1986. Apud WECHSLER, Judith. Performing Ophelia: the iconography of madness. Theatre Survey 43:2. Cambridge: Journals of Cambridge, November 2002.

HARESSTRYKER, Carolyn. “Lily Maids and Watery Rests: Elaine of Astolat”. Victorian Literature and Culture, Vol. 22. Cambridge: Cambridge University Press, 1994.

HOLLAND, Peter. “Touring Shakespeare”. In WELLS, Stanley. STANTON, Sarah (eds.). The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press, 2002.

HONOUR, Hugh. El romanticismo. Madri: Alianza Editorial, 1986.

JOBERT, Barthélémy. Delacroix. Paris: Gallimard, 1997.

MOWER, David. “Antoine Augustin Préault (1809-1879)”. The Art Bulletin, Vol. 63, No. 2, Jun., Nova Iorque: College Art Association, 1981.

RABY, Peter. Fair Ophelia: A Life of Harriet Smithson Berlioz. Cambridge: Cambridge University Press, 2003.

SERULLAZ, Arlette. BONNEFOY, Yves. Delacroix & Hamlet. Paris: Éditions de La Réunion des Musées Nationaux, 1993. Sobre outras obras de Delacroix baseadas em Shakespeare, ver JOBERT, Barthélémy. Delacroix. Paris: Gallimard, 1997.

SHAKESPEARE, William. A Trágica História de HAMLET. Ato IV, cena VII. Edição de Ridendo Castigat Mores / eBooksBrasil.com. Disponível em: http://www.ebooksbrasil.org/eLibris/hamlet.html, acesso em 20/04/2009.

SHOWALTER, Elaine. “Representing Ophelia: Women, Madness, and the Responsibilities of Feminist Criticism,” in PARKER, Patrícia. HARTMANN, Geoffrey. Shakespeare and the Question of Theory. Nova Iorque: Methuen, 1985. Apud WECHSLER, Judith.

SILLARS, Stuart. Painting Shakespeare: The Artist as Critic, 1720–1820. Cambridge: Cambridge University Press, 2006.

YOUNG, Alan R. Hamlet and the Visual Arts, 1709-1900. Newark: University of Delaware Press / Londres: Associated University Presses, 2002.

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