Vol. 4 No. 2 (2023)

Published December 31, 2023

Articles

Pascale Saarbach

4-26

Ecofeminist art in the United States (1970-1980) : birth of a movement

PDF (Français) (Portuguese)

Renata Gomes Cardoso

27-53

Brazilian women artists in exhibitions: New York, 1930 and 1939

PDF (Portuguese)

Carlos Lima Junior

54-82

From the Palace of the City to the Imperial Museum: the (re)appropriations of the painting The act of the Coronation of Your Majesty the Emperor, by François-René Moreaux, during the Republic

PDF (Portuguese)

Julio Cesar dos Reis

83-103

Nature and progress in the Fine Arts: the litographic album estrada de Ferro de D. Pedro II

PDF (Portuguese)

Bruno Henrique Fernandes Gontijo

104-121

Piet Mondrian and brazilian neoconcretism: the constitution of a narrative through the art criticism of Mário Pedrosa and Ferreira Gullar

PDF (Portuguese)

Felipe Sevilhano Martinez

122-138

Frieda Hunziker: curaçao and the São Paulo Biennial

PDF (Portuguese)

Luiz Fernando Silva Sandes

139-158

The concrete art of Sao Paulo and its art collecting

PDF (Portuguese)

Luiz Philip Gasparete

159-173

Material and object against form

PDF (Portuguese)

Iaci d'Assunção Santos

174-187

Made by many hands: reflections on the authorship of the tile panels at Palácio Gustavo Capanema

PDF (Portuguese)

Sofia Inda

188-200

Dialogues between Mário Pedrosa’s art criticism and the exhibitions of the works by inmates of psychiatric hospitals in Brazil (1947 – 1952)

PDF (Portuguese)

Mateus Dagios

201-230

Karl Marx as Prometheus: reception of antiquity in a political cartoon

PDF (Portuguese)

Reviews and Reports

Letícia Asfora Falabella Leme

231-238

Pionnières de la diversité: Tarsila do Amaral and the forest-green room in the Musée du Luxembourg in 2022.

PDF (Portuguese)

Jorge Coli

239-240

Arte, circulações e transferências (2023)

PDF (Portuguese)