Vol. 7 (2020): Instrumental Music and Musical Improvisation

Editorial

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DOI: https://doi.org/10.20396/muspop.v7i00.14839

Traduções

Virginia de Almeida Bessa, Giuliana Souza de Lima, Juliana Pérez González

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O passado audível: origens culturais da reprodução sonora

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DOI: https://doi.org/10.20396/muspop.v7i00.13425

Artigos temáticos

Maria Beatriz Cyrino Moreira, Thais Lima Nicodemo

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Perspectives on popular instrumental music

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DOI: https://doi.org/10.20396/muspop.v7i00.14836

Gláucia Nogueira

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Cape Verde's violinists and their role in converting 19th century European music into local tradition

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DOI: https://doi.org/10.20396/muspop.v7i00.14675

Luciana Fernandes Rosa

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Musical transmission between flutists of the 19th and early 20th centuries: research in Rio de Janeiro newspapers

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DOI: https://doi.org/10.20396/muspop.v7i00.14305

Daniela Spielmann

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Paulo Moura’s interpretative contribution in “Tarde de Chuva" (“Raining afternoon”)

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DOI: https://doi.org/10.20396/muspop.v7i00.14225

Ismael de Oliveira Gerolamo

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Nationalism, political art and instrumental popular music: the music of Quarteto Novo

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DOI: https://doi.org/10.20396/muspop.v7i00.14308

Icaro Bittencourt

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Chico Mário and the independent record: cultural resistance and Brazilian instrumental music in the 1980s

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DOI: https://doi.org/10.20396/muspop.v7i..13812

Amanda Pedrosa de Matos

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“Abrir as janelas e deixar o Brasil entrar”: o regional e universal nos álbuns Orquestra popular de câmara e Danças, jogos e canções

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DOI: https://doi.org/10.20396/muspop.v7i..13776

Bruno Rosa do Nascimento

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Music in Social Isolation: collaborations and reflections on lives as a space for performance and musical criticism.: colaborações e reflexões em lives como espaço de performance e crítica musical

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DOI: https://doi.org/10.20396/muspop.v7i00.14282

Cliff Korman, Fabiano Araújo Costa

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Contemplating the preparation for the unpredictable: notes on musical improvisation

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DOI: https://doi.org/10.20396/muspop.v7i00.14842

Roberta Mourim Cabral

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Elements of improvisation in Marcus Tardelli’s performance

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DOI: https://doi.org/10.20396/muspop.v7i00.14265

Rodrigo Heringer Costa, Aquim Sacramento, Natália Mitre, João Paulo Drumond

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Dialogic “comping” proposals for baião, forró and xaxado on vibraphone

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DOI: https://doi.org/10.20396/muspop.v7i00.14304

Marcio Modesto, Silvia Berg

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Audiotactile expressiveness and interpretive practices of the soloist as an accompanist: the case of Altamiro Carrilho in the LP Depoimento do Poeta (1970)

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DOI: https://doi.org/10.20396/muspop.v7i00.14311

Guilherme Marques, Fernando Hashimoto

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Imaginary listening: Nenê and the asymptomatic perspective of applying Brazilian rhythms to drumset, in improvised Brazilian instrumental music

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DOI: https://doi.org/10.20396/muspop.v7i00.13790

Pedro Paes de Carvalho

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“Where's the Gypsy?”: reflections on gypsy jazz and gypsyness

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DOI: https://doi.org/10.20396/muspop.v7i00.14313

Artigos

Marco Gérard, Tassio da Rosa Ramos, Almir Côrtes

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A musical view on the song “Filhos de Gandhy” from Gilberto Gil’s performance at USP in 1973

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DOI: https://doi.org/10.20396/muspop.v7i..13354

Marilda de Santana Silva

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The The tradition and the contemporary in the voices of Clementina de Jesus and Sandra de Sá: two decades of Brazilian Black Music

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DOI: https://doi.org/10.20396/muspop.v7i..13696

Joêzer Mendonça, Gabriela Araújo Fernandes

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DOI: https://doi.org/10.20396/muspop.v7i00.14312

Leilor Miranda Soares

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Happiness in Tom Zé: citation, bossa nova, modernization

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DOI: https://doi.org/10.20396/muspop.v7i00.13847