Palavras-chave
Ana Comnena
Heródoto
Como Citar
Resumo
Neste artigo, pretende-se realizar uma análise comparativa entre as estruturas dos prólogos das Histórias de Heródoto e da Alexíada de Ana Comnena, obra historiográfica bizantina datada do século XII EC. Essa análise tem como objetivo elucidar as semelhanças e diferenças entre os textos, enfatizando marcas de autoria feminina no prólogo da Alexíada. Nesse prólogo, pode-se encontrar os modos pelos quais a autora busca estabelecer sua voz autoral e que serão desenvolvidos na Alexíada, sendo os mais significativos as intensas expressões de lamentação, que podem ser entendidas como uma complexa negociação entre a norma historiográfica e a voz feminina. Em contraste, o prólogo das Histórias de Heródoto apresenta uma investigação sobre as causas e os eventos das Guerras Persas. Embora ele se baseie em relatos da tradição hexamétrica arcaica, Heródoto apresenta sua obra como uma contraparte em prosa da poesia épica, inaugurando um novo gênero discursivo que reivindica uma investigação racional no lugar do mito.
Referências
ALEXIOU, Margaret. The Ritual Lament in Greek Tradition. Cambridge: Cambridge University Press, 1974.
ANGOLD, M. The Autobiographical Impulse in Byzantium. Dumbarton Oaks Papers, v. 52, p. 225-257, 1998.
BARON, Christopher A. (ed.). The Herodotus Encyclopedia. 3 v. Hoboken: Wiley-Blackwell, 2021.
BERNARD, Floris. The Ethics of Authorship: Some Tensions in the 11th Century. In: Pizzone, A. (ed.) Author in Middle Byzantine Literature: Modes, Functions, and Identities. Berlin: De Gruyter, 2014, p. 41-60.
BUCKLER, Georgina. Anna Comnena. A Study. Oxford: Oxford University Press, 1929.
BUCKLEY, Penelope. The Alexiad of Anna Komnene: Artistic Strategy in the Making of a Myth. Cambridge: Cambridge University Press, 2014.
BURLIGA, B; MAUKS, M. An instructive story about how a byzantine princess bravely looked deep into the abyss of oblivion. Classica Cracoviensia, vol. XXII, p. 167-196, 2019. Disponível em https://doi.org/10.12797/CC.20.2019.22.07. Acesso em: 10 dez. 2025.
CROOK, B. Uncovering Byzantium’s Historiographical Audience. In: MACRIDES, R.(ed.). History as Literature in Byzantium. London: Routledge, 2010, p. 25-55.
DAWES, E. A. S. The Alexiad of the Princess Anna Comnena, being the history of the reign of her father, Alexius I, Emperor of the Romans, 1081-1118 A.D. K. Paul, Trench, Trubner & Co., 1928.
DIAZ, R. E. Ana Comnena y la historiografia del período clásico: aproximacion a un debate. Erytheia: Revista de estudios bizantinos y neogriegos, v.13, p. 29-44, 1992.
FOLEY, Helene P. Female Acts in Greek Tragedy. Princeton: Princeton University Press, 2001.
GALATARIOTOU, Catia. Holy Women and Witches: Aspects of Byzantine Conceptions of Gender. Byzantine and Modern Greek Studies, n. 9, p. 55-94, 1984.
GOUMA-PETERSON, Thalia. Engendered Category or Recognizable Life: Anna Komnene and Her Alexiad. Byzantinische Forschungen, v. 23, p. 25-34, 1996.
GOUMA-PETERSON, Thalia. Anna Komnene and her Times (eds.). Nova York: Garland Publishing, 2000.
GOUMA-PETERSON, Thalia. Gender and Power: Passages to the Maternal in Anna Komnene’s Alexiad. In: GOUMA-PETERSON, Thalia. (Org.), Anna Komnene and her times. Nova York: Garland Publishing, 2000, p. 138-157.
GREGORY, T. E. A History of Byzantium. Oxford: Blackwell, 2005.
HERÓDOTO. Histórias. Tradução de José Ribeiro Ferreira e Maria de Fátima Silva. Lisboa: Imprensa Nacional-Casa da Moeda, 1994. v. 1 (Livros I-II).
HERRIN, Judith. Women in Purple: Rulers of Medieval Byzantium. London: Weidenfeld & Nicolson, 2001.
HERRIN, Judith. Byzantium: The Surprising Life of a Medieval Empire. London: Penguin Books, 2007.
HERRIN, Judith. Unrivalled Influence: Women and Empire in Byzantium. Princeton: Princeton University Press, 2013.
HOWARD-JOHNSTON, James. Anna Komnene and the Alexiad. In: MULLET, Margaret; SMYTHE, Dion (eds.). Alexios I Komnenos, Belfast: Belfast Byzantine Enterprises, 1996, p. 232-302.
HOLST-WARHAFT, Gail. Dangerous voices women’s laments and Greek literature. London: Routledge: 1992.
KALAVREZOU, Ioli (ed.). Byzantine women and their world. Cambridge, MA: Harvard University Art Museum, 2003.
KALDELLIS, Anthony.The Corpus of Byzantine Historiography: An Interpretive Essay. In: STEPHENSON, P. (ed.). The Byzantine World. London: Routledge, 2010, p. 221-222.
KALDELLIS, Anthony. Hellenism in Byzantium: The transformations of Greek identity and the reception of the Classical Tradition. Cambridge: Cambridge University Press, 2007.
KAZHDAN, A. P. (Org.). The Oxford Dictionary of Byzantium. Oxford: Oxford University Press, 2005. https://www.oxfordreference.com/display/10.1093/acref/9780195046526.001.0001/acref-9780195046526
LAIOU, Angeliki. Why Anna Komnene? In: GOUMA-PETERSON, Thalia (ed.). Anna Komnene and her times. Nova York: Garland Publishing, 2000, p. 20-36.
LAKE, Justin. Prologues to ancient and medieval history: a reader. Canada: University of Toronto Press Incorporate, 2013.
LJUBARSKIJ, Jakov. Why is the Alexiad a masterpiece of Byzantine literature? In: GOUMA-PETERSON, Thalia (ed.). Anna Komnene and her times. Nova York: Garland Publishing, 2014, p. 205-224.
LORAUX, Nicole. The mourning voice: an essay on Greek tragedy. Ithaca: Cornell University Press, 2002.
MAGDALINO, Paul. Byzantine historical writing, 900-1400. In: FOOT, S.; ROBINSON, C. F.; WOOLF, D. R. (eds.). The Oxford History of Historical Writing. Oxford: Oxford University Press, 2012, p. 218-237.
MAGDALINO, Paul. The Pen of the Aunt: Echoes of the Mid- Twelfth Century in the Alexiad. In: GOUMA-PETERSON, Thalia (ed.). Anna Komnene and her times. Nova York: Garland, 2000, p. 36-69.
MAGUIRE, H. Art and eloquence in Byzantium. Princeton University Press, 1981.
MAVROUDI, Maria. Learned Women of Byzantium and the Surviving Record. In: SULLIVAN, D.; FISHER, E.; PAPAIOANNOU, S. Byzantine religious culture: studies in honor of Alice- Mary Talbot. Leiden: Brill, 2012, p. 53-84.
MCCLURE, Laura. Spoken like a woman: Speech and gender in Athenian drama. Princeton: Princeton University Press, 1999.
MCCLURE, Laura. Women in classical Antiquity: From birth to death. Malden: Blackwell, 2019.
MCGRATH, S. Women in Byzantine History in the Tenth and Eleventh Centuries: Some Theoretical Considerations. In: SULLIVAN, D; FISHER, E. A; PAPAIOANNOU, S. (eds.). Byzantine religious culture: Studies in honor of Alice-Mary Talbot. Leiden: Brill, 2012, p. 85-98.
MITCHISON, Naomi. Anna Comnena. London: G. Howe, 1928.
MORRISON, Susan S. (ed.). Medieval women’s companion. Oxford: Oxbow Books, 2016.
NEVILLE, Leonora. Anna Komnene: The life and work of a medieval historian. Oxford: Oxford University Press, 2016.
NEVILLE, Leonora. Lamentation, history and female autorship in Anna Komnene’s Alexiad. Greek, Roman and Byzantine Studies, v. 53, p. 192-218, 2013.
NEVILLE, Leonora. The Authorial Voice of Anna Komnene. In: PIZZONE, Aglae. The author in middle Byzantine literature. Berlin: De Gruyter, 2014, p. 263-274.
NEVILLE, Leonora. Guide to Byzantine historical writing. Cambridge: Cambridge University Press, 2018.
QUANDAHL, Ellen; JARRATT, Susan C. To recall him…will be a subject of lamentation: Anna Comnena as rhetorical historiographer. Rhetorica, v. 26, p. 301-335, 2008.
RALPH-JOHANNES, Lilie. Reality and invention: Reflections on Byzantine historiography. Dumbarton Oaks Papers, v. 68, p. 157-210, 2014.
REINSCH, D. R., & KAMBYLIS, A. (Orgs.). (2001a). Annae Comnenae Alexias, Pars prior: Prolegomena et textus (Vol. 1). De Gruyter, (2001a). https://doi.org/10.1515/9783110881172
REINSCH, D. R., & KAMBYLIS, A. Women’s Literature in Byzantium? The Case Of Anna Komnene. In: GOUMA-PETERSON, Thalia (org.), Anna Komnene and her times. Nova York: Garland Publishing, 2000, p. 112-138.
VILIMONOVIC, Larisa Orlov. Structure and features of Anna Komnene’s Alexiad: Emergence of a personal history. Amsterdam: Amsterdam University Press, 2019.
WECOWSKI, Marek. Prologue. In: BARON, Christopher A. (ed.). The Herodotus Encyclopedia. Hoboken: Wiley-Blackwell, 2021. v. 2, p. 1171-1173.
Este trabalho está licenciado sob uma licença Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.