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Vol. 1 No. 1 (2020)

Published July 24, 2020
Jan./Jun.

Capa: Rosso Fiorentino, Lamentação de Cristo morto, 1527. Óleo sobre madeira, 270x201 cm. Igreja San Lorenzo, Borgo Sansepolcro.

Jorge Coli, Martinho Alves da Costa Junior
1-4
Editorial
PDF (Portuguese)

Articles

Valentina Hristova
5-19
Between art, devotion and Catholic reform: Rosso Fiorentino’s Lamentation in Borgo Sansepolcro
FRANCÊS (Portuguese)
Renata Camargo Sá
20-31
Landscape painting in the nineteenth century: prelude to an exhausted nature
PDF (Portuguese)
Marina Barzon
32-43
Lionello Venturi’s Astratto e Concreto and the Gruppo degli Otto
PDF (Portuguese)
Inácio Schiller Bittencourt Rebetez, Alcimar do Lago Carvalho
44-67
The Biota of the Florentine Tondo: a biological survey and symbolism in Virgin with Child, Young St. John the Baptist and an Angel by Piero di Cosimo (1462-1522)
INGLÊS (Portuguese)
Antonio Wilson Silva de Souza
68-80
Lights and action on the manuscripts of Brazil : the ornament of Rococo style on the scene
PDF (Portuguese)
Priscyla Kelly Vieira Abreu
81-104
Costume designs of Alexandra Exter to Aelita, queen of Mars
PDF (Portuguese)
Renata Dias Ferraretto Moura Rocco
105-122
Considerations on the 1st São Paulo Biennial: a letter from Marco Valsecchi to Rodolfo Pallucchini
PDF (Portuguese)
Cássia Bars Hering
123-147
The value of the iconographic studies for the building of archaeological knowledge: the identification of a pictorial code shared by the Southwest and Mesoamerica
PDF (Portuguese)
Carolina Soares
148-170
The indigenous through the photographic lens: the construction of imagery under the aegis of nineteenth-century nationalist discourse
PDF (Portuguese)
Bernard Richard
171-183
When a people known for their culture attacks artworks: iconoclasm in France
FRANCÊS (Portuguese)

Documents and Translations

Liliana Cardeira, Ana Bailão, António Candeias, Fernando António Baptista Pereira
184-202
The FBAUL painting storage space: a historiographical view of the various pictorial awards
PDF (Portuguese)

Reviews and Reports

Alexander Gaiotto Miyoshi
203-207
Phantoms of Art History: Warburg, Didi-Huberman and the surviving image
PDF (Portuguese)