Vol. 3 No. 2 (2022)

Published December 31, 2022

Capa: Os três painéis de Portinari expostos no Salão da Boa Vizinhança do Pavilhão do Brasil na Feira Mundial de Nova York (1939). Representação do Brasil na Feira Mundial de Nova York/ F. S. Lincoln.

Articles

Marie-Anne Lescourret

4-15

The human tragedy and the female drama

PDF (Français) (Portuguese)

DOI: https://doi.org/10.20396/rhac.v3i2.17528

Danielle Misura Nastari

16-31

Portinari of Brazil in Detroit: Candido Portinari’s first one-man show in the United States

PDF (Portuguese)

DOI: https://doi.org/10.20396/rhac.v3i2.17292

Elizabeth Ferreira Cardoso Ribeiro Azevedo

32-54

Tuck flame: the participation of the ballerina Yvonne Daumerie in the Modern Art Week

PDF (Portuguese)

DOI: https://doi.org/10.20396/rhac.v3i2.17282

Heloisa Seelinger

55-76

Alfredo Seelinger: anch'io son pinttore!

PDF (Portuguese)

DOI: https://doi.org/10.20396/rhac.v3i2.17272

Fidel Raul Carmo Reis

77-97

The glorious memory: reflection on the machete as a possible place of memory of the armed struggle for national liberation in Angola

PDF (Portuguese)

DOI: https://doi.org/10.20396/rhac.v3i2.16683

Documents and Translations

Jorge Coli

98-140

Painting in the 19th century: Introduction, by Henri Focillon (1927)

PDF (Portuguese)

DOI: https://doi.org/10.20396/rhac.v3i2.17529