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Vol. 7 (2026)

Published March 13, 2026
Continuous Publication

Articles

Bruno Henrique Fernandes Gontijo
1-16
Informal abstraction in Jayme Maurício's criticism: the Manabu Mabe “phenomenon”
PDF (Portuguese)
DOI: https://doi.org/10.20396/rhac.v7i00.20750
Silvio Ferreira Rodrigues
e026004
Pará illustrated: lithography, caricature and press in the Province of Pará (1850-1888)
PDF (Portuguese)
DOI: https://doi.org/10.20396/rhac.v7i00.21118
Priscila Miraz de Freitas Grecco
e026006
Latin American visual histories: Alejandro Del Conte's personal archive and the networks of photography from the magazine Correo Fotográfico Sudamericano
PDF (Portuguese)
DOI: https://doi.org/10.20396/rhac.v7i00.20760
Raquel Elisa Cartoce
e026005
The concrete of concretism: the materiality in the visual production of the Ruptura Group
PDF (Portuguese)
DOI: https://doi.org/10.20396/rhac.v7i00.21110
Nerian Teixeira de Macedo de Lima, Alvaci Mendes da Luz
e026007
Women Artists at the Capela do Cristo Operário in São Paulo
PDF (Portuguese)
DOI: https://doi.org/10.20396/v7i00.20767

Documents and Translations

Tobias Vilhena de Moraes, Viktoriia Kirsanova, Pedro Paulo Abreu Funari
e026002
The letters of Abraham Israel Scheptowitzki to Lasar Segall
PDF (Portuguese)
DOI: https://doi.org/10.20396/rhac.v7i00.21151
Lorenna Fonseca
e026003
Henri Focillon, the japanese print and western painting: in the second half of the nineteenth century
PDF (Portuguese)
DOI: https://doi.org/10.20396/v7i00.20776