Vol. 6 No. 2 (2025)
Revista de História da Arte e da Cultura
Revista de História da Arte e da Cultura
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Vol. 6 No. 2 (2025)
Published December 31, 2025
Articles
Alcimar do Lago Carvalho
4-31
The Zitrin brothers’ “House of Butterflies” and the record of souvenirs sold in Rio de Janeiro between the decades of 1930 and 1970
PDF (Portuguese)
DOI:
https://doi.org/10.20396/rhac.v6i2.20569
João Lucas Gualassi Duarte, Amanda Müller Guadiz
32-51
Ecocriticism and animal motifs in non-European art: theoretical reflections based on a case study in Inca-colonial art
PDF (Portuguese)
DOI:
https://doi.org/10.20396/rhac.v6i2.20475
Sarah Jansen Barros
52-78
The Educational Path of Mário Barata (1939–1969): experiences and conceptions of Art History in Brazil
PDF (Portuguese)
DOI:
https://doi.org/10.20396/rhac.v6i2.20473
Gabriel Borges Souza
79-101
Art and Criticism in Belém do Pará: dialogues between Theodoro Braga and Alfredo Sousa (1906–1911)
PDF (Portuguese)
DOI:
https://doi.org/10.20396/rhac.v6i2.20690
Miguel Lucio dos Reis
102-127
Semeando sereias (1987-1998): heads, stories, images and memories in Tunga's work (1952-2016)
PDF (Portuguese)
DOI:
https://doi.org/10.20396/rhac.v6i2.20494
Larissa Fernandes Martins da Silva
128-158
Triangles pointe sur pointe, rectangle, carrès, barres (1931), by Sophie Taeuber-Arp at MAC USP: applied arts, dance and gender
PDF (Portuguese)
DOI:
https://doi.org/10.20396/rhac.v6i2.20701
Bruna Valesca Zacanini
159-170
Charles-François Daubigny at the Mariano Procópio Museum: investigations and interlacings
PDF (Portuguese)
DOI:
https://doi.org/10.20396/rhac.v6i2.20536
Álvaro Saluan da Cunha
171-193
A living and still visible idea: the trajectory of The Surrender of Uruguaiana, by Pedro Américo, and the survival of a historical narrative through prints
PDF (Portuguese)
DOI:
https://doi.org/10.20396/rhac.v6i2.20759
Leonardo Paes Troiano
194-223
The spirits in the stones: indigenous visualities, ethnography and rock art
PDF
DOI:
https://doi.org/10.20396/rhac.v6i2.20740
Documents and Translations
Carlos de Miranda Vitoi
224-239
Censorship of the Calf's ´Painting: an excerpt from the Lisbon's Inquisition trial against Pedro Gomes Dias (1615)
PDF (Portuguese)
DOI:
https://doi.org/10.20396/rhac.v6i2.20537
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